Free Ebook Tributes and Treasures: 12 Vintage-inspired Quilts Made With Reproduction Prints, by Paula Barnes
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Tributes and Treasures: 12 Vintage-inspired Quilts Made With Reproduction Prints, by Paula Barnes
Free Ebook Tributes and Treasures: 12 Vintage-inspired Quilts Made With Reproduction Prints, by Paula Barnes
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About the Author
Paula Barnes and Mary Ellen Robison met more than 15 years ago when they both moved to the same street in Katy, Texas. Paula taught quilting classes at the local quilt shop and Mary Ellen was the devoted student. They quickly formed a friendship that went beyond their love of quilting and reproduction fabric to become Red Crinoline Quilts.Paula began quilting in 1989 after moving to Dallas, Texas. Not knowing anyone, she decided to take her six-month old daughter to the Dallas Quilt Show. Three days later, she was hooked. After discovering that hand piecing wasn't her thing, Paula visited a notions counter and purchased the tools she would need to cut out and piece her quilt tops. Once she completed her fourth top, she was asked to teach a class at a local quilt store. Her husband encouraged her to give it a shot and the rest, as they say, is history. Paula taught in the Dallas/Fort Worth area for more than 25 years, and now teaches at shops and quilt guilds throughout the US.Paula Barnes and Mary Ellen Robison met more than 15 years ago when they both moved to the same street in Katy, Texas. Paula taught quilting classes at the local quilt shop and Mary Ellen was the devoted student. They quickly formed a friendship that went beyond their love of quilting and reproduction fabric to become Red Crinoline Quilts.Learning from her mom's expertise, Mary Ellen began sewing at the age of 12 and made most of her own clothes as she grew up. The year 1975 saw a resurgence in quilting due to the upcoming Bicentennial Celebration, so Mary Ellen made her first quilt, a baby quilt that defied almost all of the rules of quiltmaking. Fortunately, shortly after that initial attempt, Mary Ellen took her first quilt class and the spell was cast. Being a wife, mother of three, full-time school librarian, and seamstress for her three children took most of her time, but her love of quilting and fabric was always present. Relocating to Texas, meeting Paula, and discovering reproduction fabrics reignited Mary Ellen's enduring passion for quilts.
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Product details
Paperback: 96 pages
Publisher: That Patchwork Place (October 6, 2015)
Language: English
ISBN-10: 1604685670
ISBN-13: 978-1604685671
Product Dimensions:
8.5 x 0.2 x 11 inches
Shipping Weight: 9.6 ounces (View shipping rates and policies)
Average Customer Review:
4.9 out of 5 stars
31 customer reviews
Amazon Best Sellers Rank:
#289,854 in Books (See Top 100 in Books)
It takes a book like Tributes and Treasures to remind us that variability and originality have an important role in modern-day quilts based on 1800s tradition. Paula Barnes, as designer, and Mary Ellen Robison, as piecer, have produced a lovely book that proves uniqueness can still be wrought from these common elements: settings, sashings, borders, and alternate blocks. Add in some organized scrappiness, and you can appreciate why some of us will never tire of the repro genre.There's nothing too tricky here, as for technique. Consequently, beginners won't have to skip over many of these 12 projects.All but 1 of the projects use diagonal settings. And that one, the 81.5" x 99.5" pink and brown "Cabin Creek", is a straight set that fools the eye by appearing diagonally set. All are quite large, which is unusual for a quilt book. The smallest side dimension is 68 inches, while the largest side is 107.5 inches. Thus, as shown, all would be considered bed-worthy more than lap- or wall-sized.About 1/2 the projects use sashings, both pieced and not. "Kennesaw Mountain", at 92.5 inches square, is another eye-fooler with its multitude of flying geese that sure look like sashing ... but they're not. (But they could be, with a bit of reconfiguring.)All of the 12 projects are predominated by one particular block which gets repeated as needed. Alternate blocks appear occasionally, either within the body or nicely placed along the perimeter. "Oak Alley", at 78" x 78", is composed of 13 tree blocks. Much more stick-to-it-iveness will be needed for the 2 quilts that both have 85 blocks. One is "Hill Country Baskets", at 96" x 96", which requires 196 sashings strips for its 85 identical blocks. The 2nd is the quilt shown on the cover - "Antique Star". It uses only 1/2 the sashings strips because it does not use corner posts. Consequently, some of those strips are quite lengthy and might be awkward for some to handle. Compounding the trickiness is the optional use of fussy cutting all those sashings.Each quilt can be downsized easily by reducing the number of blocks. Since all the quilts involve a lot of repetition (but to nice effect), this might be good to know. Each also is introduced with a bit of history.If I were forced, say, with fabric withholding, to express something less than positive about Tributes and Treasures, it would be that alternate colorways are not provided. But that's a real stretch. Now, please, don't take away any of my 1800s repros. I'll be needing them soon, very soon ...
Beautiful photos of some wonderful quilts. Nice selection of patterns so there is something for every skill level. Instructions appear to be well written. Am going to make a quilt from this book this winter...
Lots of nice quilting patterns for lap and larger quilts and easy to understand directions.
Love this book, love the patterns and love the history
Love these patterns
I love Civil War reproduction fabrics and the patterns and fabrics shown were no exception. I am especially fond of Red Crinoline quilts and their designers.
Love the book. Have always admired these patterns now I own them in one book.
Love this book. Anything Paula Barnes is evolved in I usually like very much. I am going to make some of these very soon.
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